White Tara (Temple) Thangka Painting


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The White Tara Temple Thangka is a traditional Tibetan Buddhist painting that portrays White Tara, a revered goddess known for her compassion, longevity, and healing qualities, within the serene setting of a temple. This sacred artwork serves as a focal point for meditation and devotion, inviting practitioners to connect with White Tara's nurturing and protective energies.

Key Features:

  1. Central Figure - White Tara: White Tara, at the center of the thangka, is portrayed as a compassionate goddess with a peaceful demeanor. Her serene expression symbolizes her loving kindness and maternal care for all sentient beings.
  2. Posture and Mudras: Right Hand: White Tara's right hand is in a gesture of granting boons, while her left hand is in a gesture of protection. She holds blue lotuses, symbolizing her ability to fulfill wishes and dispel fear.
  3. Temple Setting: The thangka depicts a temple in the background, showcasing the serene and sacred environment where White Tara dwells. The architecture of the temple features traditional Tibetan elements, including ornate pillars and intricate carvings, creating a spiritual atmosphere.
  4. Lotus Throne: White Tara is depicted seated on a lotus throne, which serves as a representation of purity, spiritual awakening, and the blossoming of enlightenment.

Product Specification:

  • Hand Painted
  • Size: 
  • Base: Cotton Canvas
  • Origination: Nepal 

Hand Embroidery Brocade

Want to add a Brocade to your beautiful Thangka Painting? Traditional Style Brocade has been one of the most popular form of mounting as it has a greater religious merit.

Note: Make sure you have added the Thangka to your cart first.

100% Cotton Canvas

Preparing the Cotton canvas before starting to paint a Thangka. This process includes washing, drying, stretching, sizing and everything needed to make a perfect base for the thangka to last for centuries.

Natural Minerals

Thangka Paintings are painted using the natural minerals. These are firstly grind into the powder form and then used in the thangka as a paint.

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