Green Tara Thangka Painting (Listed)
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Description
A Thangka depicting Green Tara, a bodhisattva associated with compassion and protection, is a traditional Tibetan Buddhist artwork. Thangka paintings can be found on fabric or paper and serve as meditation and spiritual practice tools, as well as objects to venerate in Tibetan Buddhism and Himalayan traditions.
Green Tara is one of the 21 Taras depicting diverse aspects of compassion enlightenment. Represented as an attractive female deity seated on a lotus throne, her green hue reflects her capacity to swiftly bring healing energy to those calling upon her. Known for her kindness aids to sentient beings, Green Tara's main purpose is to reduce distress guard against various obstacles dangers. With her right leg extended to act immediately, she is seated on a lotus flower representing purity wisdom.
Green Tara Thangka Paintings are expertly created in accordance with traditional visual representations, boasting lustrous colors and exquisite details. They are regularly used in Buddhist temples and homes for meditation and worship, accompanied by reciting mantras for receiving blessings and knowledge from Green Tara. Through its accurate design and vibrant hues, a Green Tara Thangka Painting can be a potent addition to any spiritual ambience in a home or temple, imparting an invigorating visual representation of the deity.
Product Specification:
- Hand Painted
- Materials: Semi-Precious Natural Minerals
- Base: Cotton Canvas
- Origination: Nepal
Hand Embroidery Brocade
Want to add a Brocade to your beautiful Thangka Painting? Traditional Style Brocade has been one of the most popular form of mounting as it has a greater religious merit.
Note: Make sure you have added the Thangka to your cart first.
100% Cotton Canvas
Preparing the Cotton canvas before starting to paint a Thangka. This process includes washing, drying, stretching, sizing and everything needed to make a perfect base for the thangka to last for centuries.
Natural Minerals
Thangka Paintings are painted using the natural minerals. These are firstly grind into the powder form and then used in the thangka as a paint.