Vajrasattva Thangka Painting
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Description
The Vajrasattva Thangka Painting depicts the Tibetan Buddhist figure Vajrasattva known for his sanctification rituals. Representing the ideal of purity and the transformation of negativity into wisdom and kindness,
Vajrasattva is a major figure in Buddhism. Vajrasattva is depicted at the center of the Thangka. He appears with one face and two arms, his right hand holding a vajra (thunderbolt) and his left hand a bell (ghanta). His body is depicted with luminescent white rays of light, representing his purity and the purification process. His hands are arranged in a particular mudra, the vajra-mudra, where the vajra and bell are both held with their bases crossed at the heart level. In Vajrasattva purification, visualizing Vajrasattva alongside chanting his mantra is used to eliminate negative karma, impediments, and other contaminants. This is an essential procedure for Buddhist practitioners seeking spiritual enhancement, typically incorporated in spiritual rituals and meditations.
Vajrasattva Thangka art is a visual aid to aid those partaking in these purification rituals. This visualization, combined with the mantra, helps practitioners gain spiritual clarity, allowing them to focus on their meditations and enhance their spiritual understanding.
Product Specification:
- Hand Painted
- Materials: Semi-Precious Natural Minerals
- Base: Cotton Canvas
- Origination: Nepal
Hand Embroidery Brocade
Want to add a Brocade to your beautiful Thangka Painting? Traditional Style Brocade has been one of the most popular form of mounting as it has a greater religious merit.
Note: Make sure you have added the Thangka to your cart first.
100% Cotton Canvas
Preparing the Cotton canvas before starting to paint a Thangka. This process includes washing, drying, stretching, sizing and everything needed to make a perfect base for the thangka to last for centuries.
Natural Minerals
Thangka Paintings are painted using the natural minerals. These are firstly grind into the powder form and then used in the thangka as a paint.
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