White Tara Thangka
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Description
White Tara Thangka is a revered artwork within Vajrayana Buddhism, depicting 'White Tara' (also known as Sita Tara or Sitatara) as a representation of compassion, healing, and longevity. Handcrafted with traditional colors and organic dyes, this meaningful artwork is meant to remain beautiful for generations.
White Tara is often depicted in a thangka seated on a lotus throne, her right leg extended and left tucked in. Her right hand is in the varada mudra, a gesture of granting blessings, and her left hand in abhaya mudra, indicating protection. She is usually portrayed with a serene face and youthful look, adorned with jewelry and garments evoking inner tranquility and honoring the spiritual journey. Seeing her image can confer a sense of inner tranquility and faith in spiritual practice, resulting in happiness.
Product Specification:
- Hand Painted
- Materials: Semi-Precious Natural Minerals
- Base: Cotton Canvas
- Origination: Nepal
White Tara thangkas are esteemed for their use in spiritual practice and devotion. Numerous religious and cultural institutions, from temples and monasteries to devotees' homes, display these thangkas. Adorning a White Tara is thought to reduce anxiousness, distress, and worry, while encouraging inner serenity and spiritual development. White Tara thangkas provide a meaningful connection to your practice and can help bring an aura of tranquility and steadiness into your home.
Hand Embroidery Brocade
Want to add a Brocade to your beautiful Thangka Painting? Traditional Style Brocade has been one of the most popular form of mounting as it has a greater religious merit.
Note: Make sure you have added the Thangka to your cart first.
100% Cotton Canvas
Preparing the Cotton canvas before starting to paint a Thangka. This process includes washing, drying, stretching, sizing and everything needed to make a perfect base for the thangka to last for centuries.
Natural Minerals
Thangka Paintings are painted using the natural minerals. These are firstly grind into the powder form and then used in the thangka as a paint.